Lake Tahoe Events - Concerts, Shows & Festivals
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| Event: | Chimaira w/ Shadows Fall |
| Location: | The Knitting Factory - Reno |
| Date(s): | Thu, Jul 8, 2010 |
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Knitting Factory & JMAX Productions Presents:
ChimairaShadows Fall Knitting Factory Concert House - Reno
Thu, July 8, 2010
Get Tickets
Doors: 7:00 PM / Show: 8:00 PM $18.50 - $44.50 Note: Full Bar With ID; G.A. Limited Seating
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Chimaira There's an obscure Chinese proverb that roughly translates as "There is one thing greater than money and power: Enthusiasm." While some of the more cynical bastards in the world would dismiss that statement as some kind of hollow fortune-cookie philosophy, that lesson is something the Cleveland-based metal outfit Chimaira have taken to heart. With four records and a decade of service in the trenches behind them, the band—singer Mark Hunter, guitarists Rob Arnold and Matt DeVries, bassist Jim LaMarca, drummer Andols Herrick and keyboardist Chris Spicuzza—have created The Infection, their second release for Ferret Music and their most ambitious recording yet.
Sounds like typical record-company bio nonsense, right? Doesn't every band tell you that their latest release surpasses everything they've done up to this point? How many times have you heard the words "maturing" or "progressing" as a rationale to deliver a crap album? For their fifth album, Chimaira didn't have any brushes with death, rehab memories or dalliances in musical genres that have nothing to do with "the rock" as we know it. Sounds crazy, but the truth is that the band have come around full circle, returning to the headspace that brought them together in the first place. "Every album we've ever made has a back-story that made the creation of that album a pain in the ass," says Mark Hunter about his band's evolution. "When we made our first album [2001's Pass Out Of Existence], we were thrown into the studio for two months with a huge budget, a big producer and no songs. We just rushed through it. When we got the record back, we thought, 'this is not what we signed up for.' When it came to do the next record [2003's The Impossibility Of Reason], we felt like we had something to prove, so we were purposely writing songs that just put up a huge middle finger to everybody that steered us in the wrong direction. Andols had quit, and for the third album [2005's Chimaira], I hardly showed up to work on it. I'm usually working 12 hours a day in the studio; I went in, and did all my songs in four days and left. We got off of Roadrunner, got our old drummer back and signed to Ferret. Now people are questioning our stability and we're thinking we have to make the best record we've ever done because it could be the last one. The touring cycle for [our fourth album] Resurrection went well and we made tons of new fans. Shadows Fall Before the so-called “New Wave of American Heavy Metal” was even a ripple, Shadows Fall were there. Emerging from Springfield, MA in 1995, this D.I.Y. band ultimately found legions of fans, worldwide fame, two Grammy nominations, and even a song on Guitar Hero. Of course, none of this came from luck. Instead, hard work and musical innovation have been the forces propelling Shadows Fall, continually revealing ever more of this band’s greatness. They are beyond simply best-in-class; in so many ways, Shadows Fall – with their unmistakable, seamless blend of metal and hard rock - have grown to help define the very essence of modern aggressive music. With Retribution – the band’s fifth full length and follow-up to 2007’s critically acclaimed Threads of Life – it’s no surprise to find Shadows Fall once again taking bold steps in their quest for constant evolution. It starts, of course, with the guts of Retribution – the sound. “With each album we’ve gotten a little more confidence to really let all of our influences show,” says vocalist Brian Fair. “We’re unapologetic about the old-school metal and the 80s influence, as well as the thrash and the melodic death metal.” And Retribution – with music production by Zeuss and vocal production by Elvis Baskette - surely has that thrash-metal bedrock which has long served as the foundation of Shadows Fall – but there’s more. “We’ve really taken some songs all the way,” explains Fair. “The brutal parts are a complete, non-stop assault, and the rock-influenced songs go all the way within that rock direction. A song like ‘Picture Perfect’ - the chorus is more Journey or Def Leppard than it is death metal,” laughs Fair. “There’s really no holding back when it comes to our songwriting. Once the floodgates open, we go all the way.” The result is Retribution - a collection of songs that showcase the versatility and vision of this band that only seems to get better over time. But the evolution of Shadows Fall is not limited to their music. Atop the shifting grounds of an unpredictable music industry, they’ve found even more opportunity to try new ideas. “We learned everything from the ground up,” says Fair, reflecting on more than a decade of experience and lessons learned. “We’ve gone through the independent metal world to the major label world, and have come to realize that, given the way things are now, it’s all about the band re-taking the control of everything: music, business, ownership, publishing. Everything.”
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